Post Pennsic Swag
Monday, 24 August 2009 12:49My earnings at Pennsic having been excellent (despite the odds and my illness), I have invested some of my earnings in some things that I feel I have earned. And I splurged a bit too!
1) "Adri's Dreamflute" in ABS plastic. Back when I was recording Patches I bought a wooden recorder, that I used for the recordings and at occasional gigs afterwards. It's called "Adri's Dreamflute" and is a tweaked version of a large bore rennaissance recorder. The tweaks give it an extended range and sensitivity. I LOVE this recorder, but alas, don't take it out of the house much, because, well, my musical lifestyle is "harsh". Okay, it's downright brutal. My instruments are abused almost as much as I am for the privilege of accompanying me on my musical adventure. So when I *do* want to play it, I alwasy need extra time to warm up, because it's a little bit tricky to milk the highest notes out of it. And since I don't have the time to do that much recorder *practice*, I just tend to stick with the Yamahas, because I can (almost) play them in my sleep. So imagine my delight when I discovered at Pennsic that they're now making *THIS EXACT RECORDER* in ABS plastic. So I gots me one. It had it's debut at PPR last Saturday.
Oh, wow! It's response is a little easier than the wooden one, and it's tone is just a little (almost unnoticeable) less fine.
If I were perhaps the recorder player in Manneheim Steamroller, I could probably tell better, but you get the point.
So for $30 I got a plastic recorder that I can abuse that can really dish out the sound and tone as well as take the abuse.
It sounds better and it's even LOUDER than my Yamaha! I could have spent ten times this much on a recorder and not been as happy!
2) I bought a green flute. I'm currently teaching myself to play regular orchestra style flute, and have one that I like okay. BUT I discovered that some manufacturers have taken to a process that colours the metal. These flutes don't have a great rep for quality, but dammit, they're *pretty*. I own so few instruments that are just pretty. The tone on these guys is supposed to be decent as is their playability. We'll see. If it sounds nice and plays okay, then I have a 2nd tier instrument in my arsenal that's a pretty metallic green with silver keys and fittings. It won't pass for "authentic" in SCA or Renfest settings (unless I'm playing middle eastern music- see previous post to get the joke), but so what? It's *pretty*, and pretty is a reason I don't get to indulge much in in my musical gear.
3) I bought a new digital recorder to transition away from Minidisc when recording my gigs.
Don't get me wrong, I like my minidisc recordings. But I've ruined three recorders (two walkman, on full sized) so far, and minidiscs are getting harder to find, AND in order to do this, I need power and a mixer as well as the recorder.
The Zoom H4 replaces all of that, and records directly into .wav format, AND has built in mics if I don't want to plug my mics in AND has multitrack/overdub capability AND runs on two AA batteries (alkalines giving it ~8 hrs of use) AND (The BIG seller) it has a USB interface such that I can upload files directly, so no more three hour dubbing sessions before I get to edit.
It records onto SD flash media and I bought two 8GB sized cards yesterday that (if the rumours are true) will give me over 4 hours time apiece at 44.1k/16bits (CD quality) stereo.
So, for instance, if I wanted to try again to record at that Beast & Boar, instead of needing to lug the mixer and the MD and the cables AND extension cords in the huge heavy mixing board case, I'd need just two mic cables, my mics, and a stand.
It's small enough too, that I'd not even need an extra table for it.
I'm hoping to try it out this weekend at Constellation Books and the following weekend at Swamp Thynge.
This purchase is truly revolutionary, and I got all the parts of it (the recorder and the disc) for about $50 less than most places advertise it for, simply by doing some aggressive price checking.
4) I ordered the Decemberists' album The Hazards Of Love (which we have) on, get this- LP!
They put out a special gatefold LP edition of the album. This is very indulgent of me, but I LIKE records, and to have one of my favorite modern bands on an actual record is a sweet treat. Yum!
5) A dear old friend recorded Roy Harper's Stormcock for me on a cassette many aeons ago. That cassette died sometime before we moved here to Cheverly. I've been looking for it ever since and nobody but nobody seems to carry it on CD and I just got tired of waiting to see if I'd find it some day somewhere. Dammit, we have intarwebz for this shit, so I went on and found a copy and ordered it. Ta-da!
There are some other albums I had on cassette back in the day that I have lost, most in one of two great disasters:
"The Great Car Flood" or
"The Great Ripoff"
that I didn't have in any other media, so they are still lost to me. I have decided that I will be spending some of my extra pocketmoney this year finally recovering what's left of that list. Most I have back now, but some I don't, and it's really time to fix this grudge a (some of which is over 20 years old) and move on, now that the time is here where "If you want it, someone online has it for you".
6) I've purchased a few other CDs and DVD's too. They're not quite as newsworthy as the other purchases.
There are a few more items left on the list to go, I may not get or find them all, but this is fun:
- New rims for my van (well, used ones actually) of the smaller size that fit my lug pattern. Why? Because the size I have now is weird, exotic, and nobody seems to make that size tire anymore, not with anything resembling traction in mud.
I *could* keep paying hundreds of dollars extra for tires that suck and get me stuck in fields when I park for an event, or I could pay some extra money now for rims for cheaper tires that actually work for me. Hmm.
- A vibro-slap. (No, it's not anything like *that* gutterminds, even if it sounds like fun) It's a musical percussion device that makes a prolonged series of tiny tinny clacks in rapid succession when you hit it. It figures prominently in the opening of Traffic's "The Low Spark of High Heeled Boys".
1) "Adri's Dreamflute" in ABS plastic. Back when I was recording Patches I bought a wooden recorder, that I used for the recordings and at occasional gigs afterwards. It's called "Adri's Dreamflute" and is a tweaked version of a large bore rennaissance recorder. The tweaks give it an extended range and sensitivity. I LOVE this recorder, but alas, don't take it out of the house much, because, well, my musical lifestyle is "harsh". Okay, it's downright brutal. My instruments are abused almost as much as I am for the privilege of accompanying me on my musical adventure. So when I *do* want to play it, I alwasy need extra time to warm up, because it's a little bit tricky to milk the highest notes out of it. And since I don't have the time to do that much recorder *practice*, I just tend to stick with the Yamahas, because I can (almost) play them in my sleep. So imagine my delight when I discovered at Pennsic that they're now making *THIS EXACT RECORDER* in ABS plastic. So I gots me one. It had it's debut at PPR last Saturday.
Oh, wow! It's response is a little easier than the wooden one, and it's tone is just a little (almost unnoticeable) less fine.
If I were perhaps the recorder player in Manneheim Steamroller, I could probably tell better, but you get the point.
So for $30 I got a plastic recorder that I can abuse that can really dish out the sound and tone as well as take the abuse.
It sounds better and it's even LOUDER than my Yamaha! I could have spent ten times this much on a recorder and not been as happy!
2) I bought a green flute. I'm currently teaching myself to play regular orchestra style flute, and have one that I like okay. BUT I discovered that some manufacturers have taken to a process that colours the metal. These flutes don't have a great rep for quality, but dammit, they're *pretty*. I own so few instruments that are just pretty. The tone on these guys is supposed to be decent as is their playability. We'll see. If it sounds nice and plays okay, then I have a 2nd tier instrument in my arsenal that's a pretty metallic green with silver keys and fittings. It won't pass for "authentic" in SCA or Renfest settings (unless I'm playing middle eastern music- see previous post to get the joke), but so what? It's *pretty*, and pretty is a reason I don't get to indulge much in in my musical gear.
3) I bought a new digital recorder to transition away from Minidisc when recording my gigs.
Don't get me wrong, I like my minidisc recordings. But I've ruined three recorders (two walkman, on full sized) so far, and minidiscs are getting harder to find, AND in order to do this, I need power and a mixer as well as the recorder.
The Zoom H4 replaces all of that, and records directly into .wav format, AND has built in mics if I don't want to plug my mics in AND has multitrack/overdub capability AND runs on two AA batteries (alkalines giving it ~8 hrs of use) AND (The BIG seller) it has a USB interface such that I can upload files directly, so no more three hour dubbing sessions before I get to edit.
It records onto SD flash media and I bought two 8GB sized cards yesterday that (if the rumours are true) will give me over 4 hours time apiece at 44.1k/16bits (CD quality) stereo.
So, for instance, if I wanted to try again to record at that Beast & Boar, instead of needing to lug the mixer and the MD and the cables AND extension cords in the huge heavy mixing board case, I'd need just two mic cables, my mics, and a stand.
It's small enough too, that I'd not even need an extra table for it.
I'm hoping to try it out this weekend at Constellation Books and the following weekend at Swamp Thynge.
This purchase is truly revolutionary, and I got all the parts of it (the recorder and the disc) for about $50 less than most places advertise it for, simply by doing some aggressive price checking.
4) I ordered the Decemberists' album The Hazards Of Love (which we have) on, get this- LP!
They put out a special gatefold LP edition of the album. This is very indulgent of me, but I LIKE records, and to have one of my favorite modern bands on an actual record is a sweet treat. Yum!
5) A dear old friend recorded Roy Harper's Stormcock for me on a cassette many aeons ago. That cassette died sometime before we moved here to Cheverly. I've been looking for it ever since and nobody but nobody seems to carry it on CD and I just got tired of waiting to see if I'd find it some day somewhere. Dammit, we have intarwebz for this shit, so I went on and found a copy and ordered it. Ta-da!
There are some other albums I had on cassette back in the day that I have lost, most in one of two great disasters:
"The Great Car Flood" or
"The Great Ripoff"
that I didn't have in any other media, so they are still lost to me. I have decided that I will be spending some of my extra pocketmoney this year finally recovering what's left of that list. Most I have back now, but some I don't, and it's really time to fix this grudge a (some of which is over 20 years old) and move on, now that the time is here where "If you want it, someone online has it for you".
6) I've purchased a few other CDs and DVD's too. They're not quite as newsworthy as the other purchases.
There are a few more items left on the list to go, I may not get or find them all, but this is fun:
- New rims for my van (well, used ones actually) of the smaller size that fit my lug pattern. Why? Because the size I have now is weird, exotic, and nobody seems to make that size tire anymore, not with anything resembling traction in mud.
I *could* keep paying hundreds of dollars extra for tires that suck and get me stuck in fields when I park for an event, or I could pay some extra money now for rims for cheaper tires that actually work for me. Hmm.
- A vibro-slap. (No, it's not anything like *that* gutterminds, even if it sounds like fun) It's a musical percussion device that makes a prolonged series of tiny tinny clacks in rapid succession when you hit it. It figures prominently in the opening of Traffic's "The Low Spark of High Heeled Boys".